Aaron Tucker
Position
Assistant Professor
Education
Postdoctoral Fellow, Faulty of Information (University of Toronto)
Ph.D, Cinema and Media Arts (York University)
MEng, English Literature and Creative Writing (University of Windsor)
BA (University of Victoria)
Contact Information
Office: AA 3029
Telephone: 709-864-8060
Email: aaron.tucker@mun.ca
Website: aarontucker.ca
Teaching and Research Interests
Media Studies, Artificial Intelligence, Facial Recognition Technologies, Film Studies
Creative Writing: Fiction, Creative Writing: Poetry
Selected Publications
Scholarly Books
Virtual Weaponry: The Militarized Internet In Popular Film. Palgrave Macmillan. New York: 2017.
Interfacing with the Internet in Popular Cinema. Palgrave Macmillan, New York: 2014.
Novels
Soldiers, Hunters, Not Cowboys. Coach House Books. Toronto, 2023
Oppenheimer. Éditions La Peuplade. Trans. Rachel Martinez (French), 2020.
Y: Oppenheimer, Horseman of Los Alamos. Coach House Books. Toronto, 2018.
Poetry Collections
Catalogue d’oiseaux. Book*hug Press. Toronto, 2021.
irresponsible mediums: Duchamp plays the ChessBard. Book*hug Press. Toronto, 2017.
punchlines. Mansfield Press. Toronto, 2015
Articles and Book Chapters
“Interoperable and Standardized Algorithmic Images: The Domestic War on Drugs and Mugshots
Within Facial Recognition Technologies” Big Data and Society. Forthcoming, September,
2024.
“Synthetic Media and Deepfakes: Tactical Media in the Pluriverse.” Digital Studies. Author. 2024.“Incubating AI: The Collaboratory at TMU
University Library” The Rise of AI: Implications and
Applications of Artificial Intelligence in Academic Libraries. Co-author, peer reviewed book
chapter. McGill University Press, 2022.
“Photogénie and Facial Recognition Software” Face Forward: New Approaches to the Face on
Screen. Book Chapter. Ed. Alice Maurice. Edinburgh Press, 2022.
“The 1980s War on Drugs, the FERET Database, and Building Future Infrastructure for Facial
Recognition Technologies” STREAM: Interdisciplinary Journal of Communication. 2022.
“Solving the Conflict Between Breathability and Masked Faces within Facial Recognition
Technologies.” Afterimage. 2021.
“Against the Deterministic Cinema of Facial Recognition Technologies” Cinephile. 2021.
“The Citizen Question: Making Identities Visible Via Facial Recognition Software at the Border” I
EEE Society and Technology. December 2020.
“Addressing Machine Co-authorship(s) via Translative Creative Writing.” Journal of Creative
Writing Studies. Ed. Kathi Inman Berens. Summer 2019.
“3D Printing in the Humanities”. Doing More Digital Humanities 2. Ed. C. Constance, R. Lane, and
R. Siemens. Routledge. Fall, 2019.
Current Research Projects
The history of Facial Recognition Technologies
The Last Horse (Novel)
Canadian AI as Techno-national Project
Honours
Governor General’s Gold Medal, Ian Lancashire Student Promise Award, Film and Media Studies Student Essay Prize