“Image Stories of Migration: Intermediality at Work in Lampedusa: Image Stories from the Edge of Europe.” Spec. issue Image [&] Narrative, vol. 26, no. 1 (forthcoming 2025).

"On (Un)Truths of Photography: A Discussion with Photographer and Visual Artist Richard-Max Tremblay." Photographic Untruths in Fiction Pt. 2. Co-editor: Agnes Neier. Spec. issue of Image [&] Narrative, vol. 21, no. 2, 2020; 19 pp. http://www.imageandnarrative.be/index.php/imagenarrative/article/view/2460.

“Picturing the Language of Images.” Co-author: Dr. Laurence Petit. Picturing the Language of Images. Eds. Nancy Pedri and Laurence Petit. Cambridge Scholars Publishing, 2013; pp. 1-12. https://www.cambridgescholars.com/product/978-1-4438-5438-2.

“Cartographic Explorations of Self in Michael Ondaatje’s Running in the Family and Jacques Poulin’s Volkswagen Blues.” International Journal for Canadian Studies, vol. 38, 2009; pp. 41-60. https://doi.org/10.7202/040806ar.

“Showing the Places You Tell: Visual Evidence in Travel Writing.” Seeing Things: Literature and the Visual. Ed. Peter Vernon. Special issue of GRAAT, vol. 28, 2005; pp. 11-26. https://books.openedition.org/pufr/4216?lang=en.

“Portraiture’s Formations of Self.” Travelling Concepts III: Memory, Narrative, Image. Ed. Nancy Pedri. ASCA University Press, 2003; pp. 293-312.

• Reprinted in Brief: ASCA Report 2002. ASCA University Press, 2003; pp. 93-112.

“The Verbal and Visual Mirrors of Postcolonial Identity in Breyten Breytenbach’s All One Horse.” Journal of Literary Studies, vol. 18, no. 3/4, Dec. 2002; pp. 295-312. https://doi.org/10.1080/02564710208530307.

“Showing Exile: Portrayals of a Lost Centre.” In-between: Essays and Studies in Literary Criticism, vol. 11, no. 1, March 2002, pp. 107-113.